All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660
 
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Diego Velazquez Prince Baltasar Carlos with the Count oil painting


Prince Baltasar Carlos with the Count
Gemälde IDENTIFIZIERUNG::  62310 		Prince Baltasar Carlos with the Count
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The Count-Duke of Olivares stands in the middle ground to the right of the picture, with his master-at-arms; figures on the balcony above him include Philip IV, Queen Isabel and several courtiers who cannot be identified for certain
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The Count-Duke of Olivares stands in the middle ground to the right of the picture, with his master-at-arms; figures on the balcony above him include Philip IV, Queen Isabel and several courtiers who cannot be identified for certain
   
   
     
Diego Velazquez Prince Baltasar Carlos with the Count oil painting


Prince Baltasar Carlos with the Count
Gemälde IDENTIFIZIERUNG::  62311 		Prince Baltasar Carlos with the Count
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The dwarf in the painting is probably Don Diego de Acedo, called El Primo
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The dwarf in the painting is probably Don Diego de Acedo, called El Primo
   
   
     
Diego Velazquez Pope Innocent X c oil painting


Pope Innocent X c
Gemälde IDENTIFIZIERUNG::  62312 		Pope Innocent X c
49,2 x 41,3 cm National Gallery of Art, Washington Perhaps the preeminent Spanish artist of the seventeenth century, Vel?zquez was, from 1623 on, court painter to Philip IV in Madrid. In 1650 Vel?zquez was sent to Italy to buy paintings for one of his monarch's palaces; while in Rome the artist was commissioned to portray the Pope. The final version (now in the Galleria Doria, Rome) was preceded by several small sketches. This canvas was executed probably by someone in his circle. Vel?zquez was given the unenviable task of depicting the most powerful and, according to contemporaries, the ugliest man in Rome. The artist was successful, for when the Pontiff saw the portrait he is said to have remarked, "troppo vero" (all too true!).
49,2 x 41,3 cm National Gallery of Art, Washington Perhaps the preeminent Spanish artist of the seventeenth century, Vel?zquez was, from 1623 on, court painter to Philip IV in Madrid. In 1650 Vel?zquez was sent to Italy to buy paintings for one of his monarch's palaces; while in Rome the artist was commissioned to portray the Pope. The final version (now in the Galleria Doria, Rome) was preceded by several small sketches. This canvas was executed probably by someone in his circle. Vel?zquez was given the unenviable task of depicting the most powerful and, according to contemporaries, the ugliest man in Rome. The artist was successful, for when the Pontiff saw the portrait he is said to have remarked, "troppo vero" (all too true!).
   
   
     
Diego Velazquez the infanta maria teresa, c oil painting


the infanta maria teresa, c
Gemälde IDENTIFIZIERUNG::  64293 		the infanta maria teresa, c
1659-60 madrid. prado
1659-60 madrid. prado
   
   
     
Diego Velazquez El Cardenal Infante Fernando de Austria, vencedor de Nordlingen oil painting


El Cardenal Infante Fernando de Austria, vencedor de Nordlingen
Gemälde IDENTIFIZIERUNG::  66316 		El Cardenal Infante Fernando de Austria, vencedor de Nordlingen
1632-1636 191 x 107 cm
1632-1636 191 x 107 cm
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660

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